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Brittany Davis's 'Black Thunder' is a Powerful Musical Offering

Described as a vessel of sound and channeler of music, Brittany Davis has released 'Black Thunder,' an album that doesn’t just pay homage to Black lineage, but channels it with raw urgency and spiritual clarity.

“Ancestor veneration” has become a rising phrase in the public consciousness. What exactly does it mean? It's a concept that is not always simple to define. In layman's terms, it's about honor. However, honor's definition is whatever the person defining it chooses it to be.

In a time where Black art and accomplishments are under constant threat of being erased and challenged, it's always crucial to "give people their flowers," so to speak. And some contributions deserve an entire garden.

Now, Seattle-based artist Brittany Davis has emerged with a musical offering of her own. Described as a vessel of sound and channeler of music, Davis has released Black Thunder, an album that doesn’t just pay homage to Black lineage, but channels it with raw urgency and spiritual clarity. It's an album that's arrived at just the right moment.

A stripped-down evolution from her 2024 debut Image Issues, Black Thunder acts as a new sonic film, interlacing thought-provoking music with brief, yet haunting interludes titled “Ancestors” that root the listener in Davis’s inner world. Throughout the album, Davis channels her predecessors and also opens up about being a Black, blind, and non-binary artist navigating this complex world. As earlier described, Davis has the ability to paint with sound on a canvas that depicts her life. Image Issues was the first canvas. Now that Black Thunder is completed, it exists as a full tapestry of colorful storytelling and honesty.

The result is less a traditional album and more a manifestation which occurred at Studio Litho (located in Seattle) with Davis on keys and vocals, Evan Flory-Barnes on bass, and D'Vonne Lewis on drums. The trio's creative synergy, one that's rare to behold, is polished and showcases three musicians at their best. Flory-Barnes and Lewis are the key ingredients that created the album's jazz direction. For Black Thunder, Davis's sound is reminiscent of Nina Simone, Roberta Flack, and Rahsaan Roland Kirk. Additionally, Davis allows her skills on the piano to shine even brighter on her latest effort.

Black Thunder was produced by Josh Evans and released by Loosegroove Records.

With full creative support, Davis has emerged with a musical behemoth. With 17 tracks, Black Thunder is an odyssey of sound. "All That You Get" leads the adventure, with a song that discusses racial disparities and how in life you often "get what you get."

"Amid the Blackout of the Night" follows an "Ancestors" interlude and is a major centerpiece of Black Thunder as album's lead single. In "Amid the Blackout of the Night," Davis contemplates the existence of the cosmos and all of its various components such as the moon and the stars. The song is also a call to not get too distracted by beauty that you miss the substance beneath.

The title track fuses spoken word and is spiritually resonant. The heartbeat of the album, "Black Thunder," pours out ancestral pride and charts a path to brighter horizons. However, Black Thunder allows Davis to go back and forth between prideful and pensive as she transitions to "Change Me" and "Girl (Don't You Know)," two entries that vulnerably display some of Davis's challenges.

Tracks such as "Black Thunder" carry a more traditionally revolutionary tone, but what's also revolutionary is the ability to be honest. As Black artists, we are often expected to constantly be strong and inspirational, but we need to remind others that we are also... human. Davis's candor only strengthens her body of work. She continues to remain uplifting, but still allows listeners behind the curtain from time to time. Acknowleding the struggles is what leads to breaking generational curses.

Like the weather itself, Davis, Flory-Barnes, and Lewis change temperature. At times, they play low and slow like a steady trickle of rain ("Amid the Blackout of the Night"), then a tropical storm ("Black Thunder"), then they become a ferocious hurricane ("Sarah's Song"). Overall, Black Thunder is a unique and powerful listening experience.

"Sun and Moon" bookends Black Thunder with a celebration of life and the world that surrounds her. While earlier, Davis seemed more contemplative, at the end, Davis expresses gratitude. In a conversation I had with Davis, she mentioned that connecting with others through her music is what brings her light.

There's a light that's generated. When I'm able to hear stories and feel those stories happen right in front of my eyes or right in front of my senses, I should say, those lights, it's like a strike. It hits me directly in the heart. Where the light turns on, for once I can see. For once I know I'm doing my job. I'm not in the dark because I have the light of knowing that somebody, somewhere was impacted in a positive manner by something that God blessed me with to give. That's the light for me. It's not the sun...

Black Thunder is now available on all major streaming services as of June 13th. The vinyl LP is available to purchase via Bandcamp, through the official Loosegroove Records website, and through most local record stores.

Additionally, Davis will celebrate the release of Black Thunder with two events:

  • June 14th at Easy Street Records, 7:00 p.m. (FREE)
  • June 17th at The Rabbit Box, doors open at 5:00 p.m. Reception begins at 6:00 p.m., followed by live music at 7:30 p.m. ($18 - Tickets HERE)

Read the review for Brittany Davis's Image Issues.

King Youngblood Debuts First New Music Since 'Big Thank'

King Youngblood is ready for a new chapter with the release of "Garden of Conviction," a rousing anthem that encourages people to be the change they want to see.

King Youngblood is one of the most interesting bands in the Puget Sound area. Since I first saw them at last year's Black and Loud Fest in Portland, I was blown away. Lead by vocalist and guitarist Cameron Lavi-Jones (who also founded Black and Loud Fest), and including Samy Garcia (bass), Chet Peterson (cello), and Paul "Styqx" Stoot (drums), King Youngblood is ready for a new chapter.

This week, King Youngblood released their first music since the 2021 album Big Thank. The new release is a song entitled "Garden of Conviction," featuring Justin Harden.

"Garden of Conviction" is a rousing anthem that encourages listeners to be the change they want to see. King Youngblood has been known for their combination of rock and activism, so the band's new music comes as a direct result of the country's current political climate. Through his lyrics, Lavi-Jones encourages mobilization, but maintains an optimistic outlook that the younger generations are going to be alright.

In an interview with KUOW, Lavi-Jones states that the summer of 2025, is the summer of "activation." He continued, "A lof of the music I am trying to make and work on with King Youngblood is trying to shake people from being passive to everything's that's going on. I think all of us are distinctly aware about how the world feels like it's on fire right now. But I think that in all the music I am listening to and all the music I am trying to make, there's an element of trying to get people to re-engage with their spark, to rethink about what they can do to be a part of things and to be hands-on with the changes they want to make."

"Garden of Conviction" has already ignited what already seems to be a powerful summer.

"Garden of Conviction" is now available on all major streaming services as of May 30th.

Additionally, King Youngblood is touring this summer. For upcoming tour dates, visit the band's official website at KingYoungblood.com/tour.

Fotoform's 'Grief is a Garden (Forever in Bloom)' Shines On

'Grief is a Garden (Forever in Bloom)' is a lullaby for the broken. Meloncholy, but not morose, Fotorm's latest release is one that gives way for those uncomfortable emotions, but allows them a space to grow into something beautiful.

While dealing with my own set of losses, something I learned is that grief is not what defines us, but what defines us is what we choose to do with that grief. My relocation to Seattle has been an excercise in turning my losses into something more, something good, something joyous.

The phrase "in bloom" is one that has carried a huge significance in my life. In recent weeks, I have thought of that very thing that culminates my work, and I came to the conclusion that I am always in bloom, constantly a work in progress.

Naturally, when I saw the title of Fotoform's new album, I was immediately intrigued. And when I listened to it, I was even more hooked. Birthed from the band's own experiences, Grief is a Garden (Forever in Bloom) is a lullaby for the broken. Meloncholy, but not morose, Fotoform's latest release is one that gives way for those uncomfortable emotions, but allows them a space to grow into something beautiful.

Fotoform is made up of Kim House (vocals, bass, synth, guitars) and Geoff Cox (guitars). For Grief is a Garden (Forever in Bloom), the band is also joined by drummer Michael Schorr (Death Cab for Cutie). The third effort from the group, Grief is a Garden (Forever in Bloom) takes on a heavier mood, yet more layered sound following their 2021 album Horizons. Skillfully blending post-punk, darkwave, shoegaze, and dream pop, Fotoform creates haunting, yet cinematic and textured fare that has earned much critical praise over the span of their career from the likes of NPR, KEXP, and more.

Although it was proclaimed a difficult album to make, House declares the process of creating the release saved her life. Speaking from personal experience, sometimes channeling our grief into our art is what can keep us going. And creating that art can be the very thing that saves someone else's life.

The album opens with "This City is Over," a poignant call to reconnect with ourselves, our values, and our priorities," according to House. It's a fitting introduction to the listening experience, which asks the audience to cast unimportant things aside and look within. Deeply personal, "This City is Over" resonated with me as someone who relocated for a new life and to leave a toxic career behind. From the first note, House's vocals lure listeners in and take root in your brain.

Later on, the title track is a beautifully existential song from start to finish. Marrying hypnotic synths and a steady bassline, "Grief is a Garden" is the best of the trio's talents. It runs home the theme of the album, "Waves keep crashing unforseen, losing someone is not what it seems,"..."Grief is a garden forever in bloom deep inside."

The rest of the album is equally as pensive, with songs such as "If You Knew/Don't You Worry, Baby" which ponders, what would happen if you knew your fate? Would your approach to life be any different?

Grief is a Garden (Forever in Bloom) ends with "Settle Down," another call to action that neatly ties the album's premise. While it is OK to mourn, Fotoform crafts a feeling of peace with where life is headed. Things may fall apart, but it's OK to rest and settle down. "When things come undone, you shine on... like a beacon before the tide..."

Following a tour in Europe, Fotoform held their homecoming show at the Tractor Tavern in Seattle. A special event hosted by KEXP, the show also included a space for attendees to write the names of lost loved on pieces of seed paper, which will be planted shortly after. I wrote down the name of my grandfather, who passed away in November. I also wrote, in a vague way, about letting go of my life before Seattle and the need to still chase the "Why?"

Now that I am trying to put a stop to asking why certain things happened, I realized it's important to continue asking, "How?"

How can I use my grief and make the world I live in just a bit better?

Fotoform's Grief is a Garden (Forever in Bloom) is available on all major streaming services as of April 18th. The vinyl LP is available via Bandcamp.

Sea Lemon Wins With 'Diving for a Prize'

Sea Lemon's debut, 'Diving for a Prize,' is an audio dreamscape that infuses the personal experiences of Natalie Lew to create what perhaps may be the next soundtrack for your life.

Why not loosen your tie for the park?
Shoulder some of the weight later on?
Outside people are screaming for something
Don’t stare into the corner for far too long

Sit, relax, and take a deep breath. Natalie Lew, the voice behind Sea Lemon, not only commands your attention, but has the ability to soothe your soul. Sea Lemon's debut, Diving for a Prize, is an audio dreamscape that infuses the personal experiences of Lew to create what perhaps may be the next soundtrack for your life.

With a superior production quality, Diving for a Prize is the ideal summer listen. The sound is that of a beachside adventure, where you can feel the sand between your toes, and the washing of waves across your body. Diving for a Prize is a culmination of a life lived by the ocean, and one raised in the Pacific Northwest. Crafted from eight months of songwriting and studio sessions with collaborator Andy Park (Death Cab for Cutie), Diving for a Prize is a stunning introduction. The dream pop album was released by Luminelle Recordings.

Sea Lemon describes Diving for a Prize as a "series of vignettes" from her life. The first vignette, "Thought for You," references unsolicited feedback and trying to figure out what to do with it. The artist pairs pensive lyrics with playful riffs, which continues throughout the album. Overall, Diving for a Prize is cohesive from start to finish.

One of my favorite songs of the release, "Stay," is a call to rest amid the chaos. A perfectly meditative song, "Stay" is a welcome urge to stand still (coming from an anxious person, this song was a Godsend).

On Instagram, Lew has kept things personal. Online, she is posting track by track, what all the songs on Diving for a Prize mean to her. Each entry has its own backstory, similar to an audio diary. About "Change Your Face," she explained, "you ever change your mind from absolutely hellishly depressed to totally cool? me too. That's what this song is all about! It's about that being ok! Being like 'I'll never move to LA' and then moving there months later, and that being normal! Change your mind! But also, I get your plight 😶Have you ever changed your mind and done a 180 on something completely??? Tell me."

There are no skips on this album. Other notable tracks are "Give In," "Sweet Anecdote," and "Cynical," which was recently featured in an episode of Grey's Anatomy. "Cynical," although with a fun and bubbly beat, cleverly masks... well, cynical lyrics.

"Crystals" and "In the Flowers" round out Diving for a Prize. "Crystals" features vocalist and guitarist Benjamin Gibbard (Death Cab for Cutie, The Postal Service) on a melancholy duet that showcases the power of letting go. Lew and Gibbard fit together sonically, creating a hauntingly beautiful song. "In the Flowers" is a bit more upbeat, but still leaves the listener longing.

Diving for a Prize as far as music goes, is a winner. Deeply introspective, Sea Lemon shows she is committed to diving deeper into the depths of her artistry. Here's to hoping that she continues to rise to the surface. Sea Lemon, I've got a thought for you, "You're doing great."

Sea Lemon's Diving for a Prize is available on all major streaming services as of May 30th. The vinyl LP will be available on June 13th via Bandcamp.

Coming Back Soon!

Some minor updates about my absence and plans for the near future!

Hey there! It's been over a month since I last posted. Things have been hectic for me with other obligations. Towards the end of this month, I plan to return, better than ever, and get back to regularly covering music in Seattle and the Pacific Northwest. Writing for this independent website has brought me joy and has made me fall in love with entertainment journalism again, so I have no plans to step away.

For the past couple of weeks, I have been in the middle of major event planning and increased work hours at my day job (boo). As someone who values quality over quantity, I prefer not to write much when my energy isn't there. Unfortunately, I have had to divert a lot of my energy elsewhere. I love to listen thoroughly to every record and spend time with what I write, and when I share something, I want it to be something I can be proud of (and the readers, too). Maybe someday I will be able to focus on music coverage and creativity exclusively, but as long as capitalism and the economy rear their ugly heads, that day seems far away.

Additionally, I have been trying to figure out a strategy for coverage and priorities in the peak summer months. I have numerous festivals on the horizon, such as Timber!, South Sound Block Party, Ohana festival in Dana Point, California, some other projects in the pipeline, and some collaborations I am hoping to share soon! So, there has been a lot going on behind the scenes. The lack of posts has not been without reason!

I'll be traveling out of town at the end of next week, then I'll be back in Washington before I go on a short weekend retreat. After the retreat, I'll be at it again, and ready to return to writing about what matters to me most!

Lots of love,

Adriana

Black Ends Release New Music Video for 'Pour Me'

Self-ordained as "Gunk Pop," Black Ends is making a name for themselves with their unique flavor of punk-infused, distorted, hardcore rock. Black Ends is personal, political, queer as hell, and a lot of fun to experience.

If there were a band in today's music scene that purely embodies Seattle's grunge spirit, it's Black Ends. Self-ordained as "Gunk Pop," the band (comprised of Nicolle Swims on vocals and guitar, Billie Paine on drums, and Ben Swanson on bass) is making a name for themselves with their unique flavor of punk-infused, distorted, hardcore rock. Black Ends is personal, political, queer as hell, and a lot of fun to experience. One of the best bands I've witnessed live, I've been constantly on the look out for anything new that Black Ends comes out with.

This week, Black Ends released a music video for "Pour Me," a song from their highly acclaimed debut album, Psychotic Spew. The band's long-awaited debut has propelled them into a league of their own, and garnered them praise in outlets such as Alternative Press, KEXP, and more.

Previous videos released for the album are "Pretend 2 Be (Protect Me)," "Black's Lullaby," and "Bent." "Pour Me" is a fun addition to the band's repertoire, as it displays lead singer Swims and their friends at a raucous house party. The wild antics nearly distract from Swims's mesmerizing, dejected lyrics. However, the music still takes center stage. Don't let the fun distract you from what's really at hand.

"It's a waste of time to breathe... It's a waste of time to sleep... It's a waste of time to be me..."

The music video for "Pour Me" was directed by Bella Petro and edited by Brennan Moring.

The video for "Pour Me" is now available as of March 28th.

Black Ends' album Pychotic Spew is available on all major platforms as of October 11th, 2024. The vinyl is available on Bandcamp.

Additionally, Black Ends will be touring this spring. For upcoming show dates, visit the band's official website at Gunkpop.com.

Brittany Davis Debuts Emotional Song 'Amid the Blackout of the Night'

In Davis's debut album, 'Image Issues,' she paints with sound a portrait of her life as a Black and blind artist. 'Image Issues' was the first canvas, and now Davis has unveiled a glimpse of the second.

A compelling storyteller, Brittany Davis always puts her soul into her music. Davis's debut album, Image Issues was described as a "sonic film," where she paints with sound a portrait of her life as a Black and blind artist. Image Issues was the first completed canvas, and now Davis has unveiled a glimpse of the second.

Davis has released "Amid the Blackout of the Night," the lead single of her latest effort, Black Thunder, an improvised jazz album. According to Davis, “Amid the Blackout of the Night” is about questioning whether sight is really needed to see the world for what it truly is." 

The nearly 10-minute song contemplates the beauty of the cosmos without being able to see it physically. Davis aptly describes the emotions of the night and its allure. However, Davis ponders what it would be like to experience the stars, the moon, the sun, and more. Davis starts slow, almost thinking aloud through song. As Davis progresses, a jam session breaks out and she improvises on keys while bassist Evan Flory-Barnes riffs with abandon and D'Vonne Lewis gets creative on the drums. Unplanned, "Amid the Blackout of the Night" was conjured in a studio, and then produced by Josh Evans.

In a recent interview with SPIN Magazine, Loosegroove Records co-founder Stone Gossard stated of the project (which was largely improvised in three days), "This record is a fully realized, arranged, amazing story that was basically channeled through Brittany..."

Live, Davis often whips songs out of thin air while tinkering with her keyboard, and, incredibly, this instance was recorded.

"Amid the Blackout of the Night" is now available on all major streaming services as of March 26th.

Davis's upcoming album, Black Thunder, is set to release on June 13th, 2025.


Read the review for Brittany Davis's Image Issues.

Oblé Reed and TeZATalks Get Original With 'Hard Copies'

We know it was a hit from the ringtone flip phones (or smartphones), but we hope "Hard Copies" propels Reed into viral success once again.

Oblé Reed is a talent on the rise and continues to be one to watch. With a distinct visual style, conscious lyrics, and a fervent passion for his city, Reed's ascent in the local music scene and beyond is no surprise. This week, Reed dropped his latest song, "Hard Copies," in collaboration with friend and fellow trailblazing artist TeZATalks (who released the critically acclaimed Black Girl American Horror Story). Produced by fantompower, the release includes a music video directed by Ezra Bantum.

It's "Hard Copies," but Reed is a bonafide original who is cementing himself as part of Seattle's often understated, but rich hip-hop legacy. Following his EP Retrovision, Reed has kickstarted 2025 with a new pair of songs and visuals. Just earlier this month, Reed released the visuals for his song "EN ROUTE," featuring Sol ChYld, and in January, "More Anniversaries." "Hard Copies" looks to be the beginning of a new project set to release soon. Reed has built a reputation for his high-concept, high production values, as his Retrovision and debut album Lindenave! include "full project experiences," which are collections of visual accompaniments to his sound.

As a nod of what's to come, Reed has been building anticipation and hinting that his latest song is only the second in a series. He teased on Instagram, "TRACK 2 of ??🖨️HARD COPIES w/ @tezatalks 3/26."

According to WASH Magazine, TeZATalks and Reed have been friends for some time, but this is the duo's first recorded collaboration. Two of the most exciting acts in Seattle, this was a fateful event. Not unexpectedly, "Hard Copies" is catchy and fun. The song goes hard, and so does its music video.

Ezra Bantum's creative work only elevates the music. Continuing his flair for mixing the retro and the now, the "Hard Copies" video includes Xerox flashes, and corded phones over a plain back background as Reed and TeZATalks rap. Reed continues to showcase his lyrical prowess while TeZATalks becomes a vocal chameleon. Talk about "WHOA."

We know it was a hit from the ringtone flip phones (or smartphones), but we hope "Hard Copies" propels Reed into viral success once again.

"Hard Copies" is now available to stream on all major platforms as of March 25th.